My Favourite Women on Page and Screen: Volume One

Teenage Girls: Part 1 of 2

One of my favourite parts of reading and watching TV and film is getting to meet wonderful, brave women I can identify with, empathise with, sympathise with, cry for, admire, fear, and any combinations of those and more. Finding well written woman on screen or on the page can often be a hard task, but God, is it rewarding when I do.

In the first of a series on my favourite women in media, I’d like to focus on young heroines who have touched my heart and caught my imagination.

One of the reasons I think I’ve stuck with Young Adult fiction well into my adulthood is that it’s one of the few mediums that not only includes well drawn young women, but celebrates them.

There’s this strange attitude in both our media and society that teenage girls are The Worst™. We make fun of anything where teenage girls are the predominant fans: Young Adult fiction is dismissed as a lesser art form (unless it can also appeal to boys – imagine if Harry had been a girl… would the books have had the same level of success?), certain popstars are written off as untalented or sellouts, any girl who expresses interest in a ‘boy thing’ (video games, comics, a band that doesn’t feature a non-threatening young man or a woman with pink hair) are derided as not being ‘real fans.’ Never mind the fact that half the reason you’ve even heard of the Beatles is because those screaming teenage girls made up most of their album sales and followed them loudly around airports.

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Girls. Wouldn’t know decent music if it wore a
bowl cut on The Ed Sullivan Show.

Similarly, teenage girls in popular media tend to be vapid, vindictive and annoying, while often simultaneously being eerily sexualised.

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Lea Michele, then 25, portraying her then 16 year old
‘Glee’  character for GQ magazine. 

These characters, some written terribly, some beautifully, receive a significant amount of vitriol from their audience: Dana Brody and Sansa Stark of Homeland and Game of Thrones respectively leap immediately to mind as the most recent examples, Kim Bauer of 24 as a slightly older one. Hell, the entire moral of Mindy Macready/Hit-Girl’s subplot in Kickass 2 (a character I enjoy portrayed by the super talented Chloe Grace Moretz) seems to be ‘teenage girls are irredeemably terrible, just don’t be one.’

tumblr_mtqolngmik1r2iq03o1_500‘You’ve got ten seconds to rewrite my storyline, asshole.
I know that’s double the time it took you in the first place.’

But whatever the mainstream, adult, and largely male reaction to them, we can take heart in the fact that there are many wonderful, brave, loyal, funny teenage girl characters on the page and on the screen just waiting for you to discover them, and there are more appearing all the time. Girls who are more than their flaws, who are figuring out who they are, and who remind me a little more of young women I’ve had the pleasure to know in the real world.

Here are just a few of my personal favourites, old and new. I’ve included links to the amazon pages for each book in case you’d like to check out plot details/invest in some new reads.  

New-promotional-pictures-of-Emma-Watson-for-Harry-Potter-and-the-Deathly-Hallows-part-1-hermione-granger-31934028-1920-2560Hermione Granger
J. K. Rowling
Book/Film series: Harry Potter (1997 – 2007; 2001 – 2011)
Portrayed by Emma Watson

Insufferable know-it-all, equal rights activist, knitter, and the brightest witch of her age. No list about awesome teenage girls would be complete without Hermione ‘Her-My-Oh-Knee’ Granger.

While she was introduced as what felt like the token girl – ‘responsible’ i.e. boring, ‘smart’ i.e. annoying – Hermione quickly became a vital character in the main trio, second only in importance to Harry. Her knowledge of advanced spells and history saved their lives on multiple occasions. Her intelligence and commitment to learning is frequently portrayed as both heroic and humorous, with Hermione considering being expelled a fate worse than death and being horrified when final exams are cancelled as a treat for the school.

In later books, Hermione gets to put her know-how to practical use and participates in all of the major battles of the books and films. She’s an excellent dueler, and sustains several injuries without complaint. She also manages to lie under torture, proving once and for all who the biggest badass of the trio is.

But what really makes Hermione relatable is her courage, her vulnerability and her kindness. Hermione is a girl who has had to leave her entire world behind for the sake of a new one; whose fear of failure drives her need to be the best (Hermione isn’t naturally the smartest in her year, she works her butt off to achieve it) and who will never just stand by and let someone weaker than her be picked on – whether it’s the schoolyard bullying of Neville Longbottom or the institutionalised slavery of humanoid magical creatures.

Love Interest: Ronald Weasley, occasionally a bit of a tool, slightly useless, but funny, brave and completely lovable. No love triangle, very slow burn.

Honorable Mentions: Luna Lovegood and Ginny Weasley also kick ass in the Harry Potter series (Ginny, unfortunately, very much less so in the films).

tumblr_mpko03NTpK1qgngz2o1_250Elspeth Gordie
Isobelle Carmody
Book series: The Obernewtyn Chronicles (1987 – unfinished)

Elspeth, a young teenager when we first meet her, is a survivor. She’s seen her parents burned alive for defying their dystopian government, and hides her superhuman mental abilities (telepathy, mind control, the ability to speak with animals) which have seen her brother murdered and would earn her the same fate.

Elspeth is an incredibly strong character. She’s self sufficient, brave, distrustful, quick-thinking and unyielding, characteristics she’s cultivated in order to stay alive and undetected. They’re also the characteristics she’ll need to complete her major quest: to save the world from a second and final nuclear holocaust – most likely a suicide mission.

But this is a quest she can’t begin for many years, and in between she finds herself in a safe place among others with her abilities, fighting a war against the government for a place in society. Suddenly, the traits that have kept her safe are keeping her back from what she truly wants: love, friendship, acceptance. She finds herself admired by many, but loved by very few. For those who do manage to get close to her, there’s a permanent wedge between them, forged by her secrecy and fear of intimacy and vulnerability.

Elspeth faces a constant struggle against herself, torn between wanting to belong and live as much as she can before her final quest kicks in, and afraid of the pain she’ll cause her loved ones and herself when it’s time to leave.

Love Interest: Rushton Seraphim, broody, snarky farm overseer turned turned leader of the misfits and the rebellion to overthrow the government. Bit dreamy. No love triangle, on again/off again.

To be continued in Teenage Girls: Part 2 of 2

Excuse Me?

There are much worse things to be in school than a pasty brunette with a weird name and a monotone. But as The New Kid in a rural West Australian beach town in the late 90’s, it wasn’t exactly a scream. On the Year 6 social ladder I was just a few rungs above those kids who still ate their boogers and/or hair, and that one kid who still unabashedly did both.

I was a pretty shy kid, a big fan of fantasy novels and without enough control of my voice to sound cheerful or friendly even when I wanted to. I made a few friends, but I was always one of the weirder kids in the group, and I didn’t make much of an effort to talk to kids unless they talked to me first.

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But in 1998, toward the end of the year, something odd happened. Someone came up to me at school, and told me to say ‘Excuse me.’

‘Excuse me?’ I asked, genuinely bewildered.

‘Oh my god!’ they laughed. ‘Taiwan sounds exactly like Daria!’ (Taiwan was one of my New Kid With Hard Name nicknames. The other was Girl.)

I had no idea what they were talking about, so went home and scoured the greatest resource known to humankind: the TV Guide. And there, in the ABC after school programming, right after Feral TV, was a show called Daria. I made a note, and the next time it was on I sat down with a big glass of Milo (before I was lactose intolerant) and a Pop Tart Apple Danish (before they were discontinued in A Terrible Food Decision) and fell in love. And here, fifteen years later and eight years older than Daria ever was, I still am.

Daria was an incredibly interesting show. While it was a solid and entertaining episodic comedy with a great cast of characters, for me it really hit its stride when it became more of a serial dramatic comedy – i.e. when they abandoned the usual ‘everything goes back to normal by the end of each episode’ cartoon formula and really embraced the idea that Daria was a flawed teenager who was growing up.

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I say flawed (and all the best characters are), because for all her smarts, Daria was just as crappy at being a teenager as the rest of us were. She had inappropriate crushes (seriously, your best friend’s brother and her boyfriend are off limits, kids), she had ridiculously high expectations of the few people she really respected (Jane always, Tom often, Jodie occasionally), she was a clingy, jealous friend and she was terrified of having her comfort zone shaken. And, probably her most annoying trait, Daria was an intellectual snob, and she could get pretty mean about it.

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But these flaws made her real. She wasn’t just some super smart, sarcastic kid who breezed through high school hating everyone and laughing at them behind their backs (though she did a fair chunk of that, too). Over the course of five seasons and two movies (three years, I think, in USA high school time) Daria was forced to confront many of her flaws and face the consequences of her actions, particularly in the later seasons. Tom and Jodie call her out on her (largely real world untested) high morals, expectations of others and snobbery. Jane calls Daria out on her negativity and occasionally stifling friendship. The beautiful scenes with her workaholic mother toward the end of the series help her to see she judges people unfairly just because she deems them less intelligent than she is, and Brittany and Quinn eventually, and with increasing frequency, surprise her with their insight on certain topics.

Daria grows as a character, and over those three in-show years we see that terrifying, exciting part of our lives when we navigate leaving our adolescence behind and prepare to join the world of the ‘grown up:’ when suddenly your parents start to look like people and the notion of moving out goes from exciting to ‘holy shit I don’t even know how to write a cheque’ (for any youths reading, that used to be how you had to pay rent before internet banking was a thing).

But what I love most about the show now, as one of the aforementioned grown-ups (but stuck firmly in the generation who has to keep moving back in with their parents) is the core friendship.

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Above all, Daria is a show about two misfit girls who are made for each other. Whether you ship them romantically or just love them platonically, there’s a reason episode one, Esteemers, focuses on Daria meeting Jane and why Is It College Yet? ends with Daria and Jane talking about their future in Boston. Jane is the first, and most important relationship in Daria’s life. We see from flashbacks and back story – and her time on Beavis and Butthead – that Daria’s never been one to spend time with other children, and when she did it was under sufferance. Daria wasn’t in search of a friend on her first day at Lawnsdale High, and if she hadn’t met Jane it’s clear she would have continued on in her role as snarky loner and courtside commentator (of life!). But Jane and Daria have the cutest of meet-cutes, and Jane unknowingly sets Daria on a course to personal growth. Daria’s entire journey couldn’t, and wouldn’t, have happened without Jane.

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Jane was, to put it bluntly, awesome. She lived the life every teenager wanted: free of parents and supervision, with a cool older brother in a band with a hot friend (how did Jane and Jesse never make out? How?). But Jane also had her flaws, and she captured the other side of being a straight teenage girl. Jane was well keen on the boys, and she had no idea how completely awesome she actually was. She often experimented with her personality and role in high school society, occasionally letting boys influence the way she acted and dressed, or neglecting her friendship with Daria in favour of spending time with the guy of the moment – most notoriously Tom. These are totally normal, high school girl things, and at the same time they challenged Daria’s need for constancy and exclusivity. It was supposed to be her and Jane against the world, but Jane kept buggering off into it and often dragging Daria with her. Which is exactly what Daria needed.

Daria and Jane supported each other and hurt each other in a way only someone you love can. Daria stealing Jane’s boring as bullshit boyfriend Tom caused their biggest, and longest rift. The time they spend apart during this is heartbreaking, as this is the point in their relationship they both come to realise just how much they need each other.

Daria hug

By the end of the series, Daria has been instrumental in pushing self-doubting Jane to apply for and be accepted into the college of her choice whereas Jane has nudged Daria out of her comfort zone and into the real world, forcing her to reassess certain long held views and readying her to interact with a whole new cast of (forever unseen) characters at college.

‘I’m not much for public speaking, or much for speaking, or come to think of it, much for the public. And I’m not very good at lying. So let me just say that, in my experience, high school sucks. If I could do it all over again, I’d have started advanced placement classes in preschool so I could go from 8th grade straight to college. However, given the unalterable fact that high school sucks, I’d like to add that if you’re lucky enough to have a good friend and a family that cares, then it doesn’t have to suck quite as much. Otherwise, my advice is stand firm for what you believe in, until and unless logic and experience prove you wrong. Remember, when the emperor looks naked, the emperor is naked. The truth and the lie are not “sort of” the same thing. And there’s no aspect, no facet, no moment in life that can’t be improved with pizza. Thank you.’
– Daria, Is It College Yet (or, let’s watch Ceinwen cry for 82 minutes)

Daria was not a perfect show. While Daria had personality flaws that drove the narrative and were addressed by the show, there were some (presumably unintended) issues such as tokenism (though this was occasionally pointed out in show by Jodie), a lack of POC characters in general, a lack of LGBT characters, a lot of fat shaming and Daria’s occasional privileged White Feminism (as the ‘good’ and undeclared kind of feminism vs. ‘bad’ man hater straw feminist Ms Barch – who has some of the best lines to this day). It was pretty damn progressive as far as white 90’s entertainment goes, but re-watching (or watching for the first time) in a 2010’s context (what is this decade even called?), it’s important to bear in mind that Daria still had a way to go.

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But for eleven year old me, Daria gave me something I hadn’t really had before: representation. While there wasn’t exactly a dearth of lady characters and even protags in kids/teen shows (I had a healthy addiction to Home and Away just like everyone else), none of them really felt like me. Daria was me. And the bits she wasn’t, Jane filled in the gaps. Between the two of them, I found a confidence in myself to be a little more outgoing at school. If there was hope for Daria, there was hope for me, and I embraced the fact I’d never be popular or ultra-hot or fashionable and just got on with it. And as a result, I had a pretty good time in high school. I felt comfortable with who I was, and while I think that’s something I probably would have come to eventually, Daria Morgendorffer and Jane Lane gave me the combat boot kick up the arse I needed to get there sooner.

I re-watch Daria at least once a year (with the original music and in all it’s LQ VHS glory) and it reminds me of what’s important to me as a writer: interesting, fully formed, individual women and girls; significant, positive relationships between women; and representation – not just of women who look like me, but women who look like the women I know and love and see every day in the real world but almost never on my screen: women of colour, gay women, disabled women, trans women, poor women, women with mental illnesses and combinations of the above and more.

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Representation matters, and I’m pretty sure a now thirty year old Daria and Jane would agree with me.

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